The Faces Of Ruth Asawa
From the mid-1960s through 2000, Asawa created hundreds of individual face masks out of clay. With the Cantor's Asian American Art Initiative, this wall of 233 masks becomes a permanent part of their collection.
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From the mid-1960s through 2000, Asawa created hundreds of individual face masks out of clay. With the Cantor's Asian American Art Initiative, this wall of 233 masks becomes a permanent part of their collection.
This second installation in the Fang Family Launchpad is a masterful example of the suspended, abstract works of looped wire for which Asawa is best known.
An in-depth exhibition that delves into the dynamic intersections between weaving and abstraction. The exhibition’s final presentation will include numerous works not seen at earlier venues.