California played a central role in the formation of a modern American aesthetic during the mid-twentieth century. Decorative arts and design reflected exciting new technologies and forms of expression. As modernist artists and designers looked beyond traditional methods and towards the future, some also found inspiration in the handmade qualities of crafts. Many of the […]
From the mid-1960s through 2000, Asawa created hundreds of individual face masks out of clay. With the Cantor's Asian American Art Initiative, this wall of 233 masks becomes a permanent part of their collection.
Citizen of the Universe is the first public solo exhibition in Europe of Ruth Asawa’s work. The exhibition is organised in partnership with Modern Art Oxford, and features her signature hanging sculptures in looped and tied wire, and celebrates her holistic integration of art, education and community engagement through displaying prints, drawings, letters and photographs.
Ink, Paper, Stone: Six Women Artists and the Language of Lithography examines the prints of six critically acclaimed artists who visited Los Angeles in the 1960s to explore the art of lithography: Ruth Asawa, Gego, Eleanore Mikus, Louise Nevelson, Irene Siegel and Hedda Sterne. Each woman received a two-month fellowship at the famed Tamarind Lithography Workshop, founded by the visionary printmaker June Wayne in 1960. With its mission to train master printers and pair them with visiting artists, Tamarind was a nexus for the revival of the medium in America.
Ruth’s Table is pleased to present Generation: The Roots of Making in the Asawa-Lanier Family, a group exhibition that brings together four generations from a San Francisco family of makers. Inspired by our namesake, world-renowned artist Ruth Asawa, the exhibition serves as an opportunity to honor Asawa’s life-long commitment to community-based art education and activism in the arts.