Art Making as Life Making: Kinjia Akagawa at Tamarind offers a behind-the-scenes glimpse of life in a 1960s print workshop.
The Milk of Dreams takes its title from a book by Leonora Carrington (1917–2011) in which the Surrealist artist describes a magical world where life is constantly re-envisioned through the prism of the imagination. It is a world where everyone can change, be transformed, become something or someone else. The Exhibition The Milk of Dreams takes Leonora Carrington’s otherworldly creatures, along with other figures of transformation, as companions on an imaginary journey through the metamorphoses of bodies and definitions of the human.
The exhibition features Asawa's signature hanging sculptures in looped and tied wire, and celebrates her holistic integration of art, education and community engagement through displaying prints, drawings, letters and photographs.
California played a central role in the formation of a modern American aesthetic during the mid-twentieth century. Decorative arts and design reflected exciting new technologies and forms of expression. As modernist artists and designers looked beyond traditional methods and towards the future, some also found inspiration in the handmade qualities of crafts. Many of the […]
Citizen of the Universe is the first public solo exhibition in Europe of Ruth Asawa’s work. The exhibition is organised in partnership with Modern Art Oxford, and features her signature hanging sculptures in looped and tied wire, and celebrates her holistic integration of art, education and community engagement through displaying prints, drawings, letters and photographs.
Ink, Paper, Stone: Six Women Artists and the Language of Lithography examines the prints of six critically acclaimed artists who visited Los Angeles in the 1960s to explore the art of lithography: Ruth Asawa, Gego, Eleanore Mikus, Louise Nevelson, Irene Siegel and Hedda Sterne. Each woman received a two-month fellowship at the famed Tamarind Lithography Workshop, founded by the visionary printmaker June Wayne in 1960. With its mission to train master printers and pair them with visiting artists, Tamarind was a nexus for the revival of the medium in America.
Ruth’s Table is pleased to present Generation: The Roots of Making in the Asawa-Lanier Family, a group exhibition that brings together four generations from a San Francisco family of makers. Inspired by our namesake, world-renowned artist Ruth Asawa, the exhibition serves as an opportunity to honor Asawa’s life-long commitment to community-based art education and activism in the arts.
The exhibition looks at how women from the 18th century to the present
day have deployed the visual language and universal formal concerns of abstraction—color, line, shape,
contrast, pattern, and texture—working across a wide variety of media, including painting, textiles,
sculpture, photography, drawing, and ceramics.
David Zwirner is pleased to announce Black Mountain College: The Experimenters, a group exhibition on view in The Upper Room at the gallery’s London location.
This sprawling group exhibition traces the use of the form of the grid in contemporary art, beginning with some of its most illustrious mid-20th century proponents. From there, it examines conceptual uses of the grid from the 1970s and 80s and utilizes that history to establish a vantage point from which to explore a current resurgence in the motif among contemporary artists of wide-ranging cultural backgrounds.