Ruth Asawa



Ink, Paper, Stone: Six Women Artists and the Language of ...

Ink, Paper, Stone: Six Women Artists and the Language of Lithography examines the prints of six critically acclaimed artists who visited Los Angeles in the 1960s to explore the art of lithography: Ruth Asawa, Gego, Eleanore Mikus, Louise Nevelson, Irene Siegel and Hedda Sterne. Each woman received a two-month fellowship at the famed Tamarind Lithography Workshop, founded by the visionary printmaker June Wayne in 1960. With its mission to train master printers and pair them with visiting artists, Tamarind was a nexus for the revival of the medium in America.


Women Take the Floor

“Women Take the Floor” challenges the dominant history of American art by focusing on the overlooked and underrepresented work and stories of women artists. This reinstallation—or “takeover”—of Level 3 of the Art of the Americas Wing advocates for diversity, inclusion, and gender equity in museums, the art world, and beyond. With more than 250 works drawn primarily from the MFA’s collection, the exhibition is organized into seven thematic galleries.



In a Cloud, in a Wall, in a Chair: Six ...

Clara Porset, Lola Álvarez Bravo, Anni Albers, Ruth Asawa, Cynthia Sargent, and Sheila Hicks share one defining aspect: Mexico, a country in which they all lived or worked between the 1940s and 1970s. During this period they all realized projects that breached disciplinary boundaries and national divides. This exhibition is the first to explore Mexico's impact on these visionary artists and designers.