From the mid-1960s through 2000, Asawa created hundreds of individual face masks out of clay. With the Cantor's Asian American Art Initiative, this wall of 233 masks becomes a permanent part of their collection.
Free
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Tuesday
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3 exhibitions,
The Faces Of Ruth Asawa
From the mid-1960s through 2000, Asawa created hundreds of individual face masks out of clay. With the Cantor's Asian American Art Initiative, this wall of 233 masks becomes a permanent part of their collection.
Free
Installation: Ruth Asawa: Untitled (S.272)
This second installation in the Fang Family Launchpad is a masterful example of the suspended, abstract works of looped wire for which Asawa is best known.
$20
Ruth Asawa: Doing Is Living
The first solo presentation of Asawa’s work in Greater China, the exhibition provides an overview of the artist’s wide-ranging practice, focusing in particular on her affinity for the natural world, which in turn provided a constant source of inspiration in her art. |
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3 exhibitions,
The Faces Of Ruth Asawa
Installation: Ruth Asawa: Untitled (S.272)
Ruth Asawa: Doing Is Living
|
||||||
|
3 exhibitions,
The Faces Of Ruth Asawa
Installation: Ruth Asawa: Untitled (S.272)
Ruth Asawa: Doing Is Living
|
||||||
|
3 exhibitions,
The Faces Of Ruth Asawa
Installation: Ruth Asawa: Untitled (S.272)
Ruth Asawa: Doing Is Living
|
||||||
|
3 exhibitions,
The Faces Of Ruth Asawa
Installation: Ruth Asawa: Untitled (S.272)
Ruth Asawa: Doing Is Living
|
||||||
|
3 exhibitions,
The Faces Of Ruth Asawa
Installation: Ruth Asawa: Untitled (S.272)
Ruth Asawa: Doing Is Living
|