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Women Take the Floor

Museum of Fine Arts Boston 465 Huntington Avenue, Boston

“Women Take the Floor” challenges the dominant history of American art by focusing on the overlooked and underrepresented work and stories of women artists. This reinstallation—or “takeover”—of Level 3 of the Art of the Americas Wing advocates for diversity, inclusion, and gender equity in museums, the art world, and beyond. With more than 250 works drawn primarily from the MFA’s collection, the exhibition is organized into seven thematic galleries.

$25

The Pencil Is a Key

The Drawing Center 35 Wooster Street, New York, NY, United States

The Pencil Is a Key is an exhibition of historical and contemporary drawings by incarcerated people from all over the globe. Works by artists who were or currently are prisoners will be juxtaposed with drawings by prisoners who became artists while incarcerated.

$5

Making Knowing: Craft in Art, 1950–2019

Whitney Museum of American Art 99 Gansevoort Street, New York, NY, United States

Making Knowing: Craft in Art, 1950–2019 foregrounds how visual artists have explored the materials, methods, and strategies of craft over the past seven decades. Some expand techniques with long histories, such as weaving, sewing, or pottery, while others experiment with textiles, thread, clay, beads, and glass, among other mediums. The traces of the artists’ hands-on engagement with their materials invite viewers to imagine how it might feel to make each work. At the Whitney Museum of American Art.

$25

A Line Can Go Anywhere

David Zwirner London 24 Grafton Street, London, United Kingdom

David Zwirner is pleased to announce an exhibition of work by American artist Ruth Asawa (1926–2013) at the gallery’s London location. This will be the first major presentation of the artist’s work outside of the United States and will include a number of her key forms, focusing in particular on the relationship between her wire sculptures and wide-ranging body of works on paper.

Question Everything! The Women of Black Mountain College

Black Mountain College Museum + Arts Center 120 College Street, Ashville, NC, United States

BMC was a place where women could explore their identities as artists and individuals; a space where women were expected to question things, to think critically and to explore their own self determinacy. Through artworks, personal accounts and archival film and photographs, Question Everything! details how this new generation went forward with a strong sense of what it meant to be a woman in the 20th century, forging new paths for themselves and those who followed in their footsteps.

50×50 San Jose Museum of Art Publishes Online Catalog

Online

SJMA has published an online catalog titled 50X50: Stories of Visionary Artists from the Collection that features 50 artists. Learn about their lives, what inspired them, and what materials they used. Each artist chapter has been carefully researched and diligently cited. Featuring the artists’ own words via video and audio files. Large-scale artworks are available […]

Women, Surrealism, and Abstraction

Nora Eccles Harrison Museum Of Art 650 North 1100 East, Logan, UT, United States

Drawn exclusively from the Museum collection, Women, Surrealism, and Abstraction endeavors to look beyond typical art historical boundaries and to begin to lay claim to a more holistic and complex view of art history—one that includes parties left out because of aesthetic biases based on a system of privileged white male patrimony.

Nothing Is So Humble: Prints from Everyday Objects

Whitney Museum of American Art 99 Gansevoort Street, New York, NY, United States

This focused exhibition, drawn from the Whitney’s collection, will look at the creative and irreverent ways that seven artists—Ruth Asawa, Sari Dienes, Pati Hill, Kahlil Robert Irving, Virginia Overton, Julia Phillips, and Zarina—have employed the everyday objects around them to make prints.

$18 – $25

Ruth Asawa: Drawing In Space

David Zwirner New York 69th St. 34 East 69th Street, New York, NY, United States

While best known for her innovative wire sculptures, Asawa had a deep connection to drawing and painting and often depicted plants, flowers, and other organic forms across her work that spanned fifty years. Here, we present a selection of the artist’s smaller sculptures along with prints and works on paper, many of which have not been widely shown.

Connecting Legacies: A First Look at the Dreier Black Mountain College Archive

Asheville Art Museum 2 South Pack Square, Asheville, NC, United States

Displayed in this gallery are archival objects shown alongside works from the Museum’s Black Mountain College Collection, which is comprised of over 1000 artworks and ephemera. These objects create connections, each one a thread contributing to a nuanced tapestry of the people, materials, geographies, and ideas of Black Mountain College and its ongoing legacy.