The Faces Of Ruth Asawa
From the mid-1960s through 2000, Asawa created hundreds of individual face masks out of clay. With the Cantor's Asian American Art Initiative, this wall of 233 masks becomes a permanent part of their collection.
From the mid-1960s through 2000, Asawa created hundreds of individual face masks out of clay. With the Cantor's Asian American Art Initiative, this wall of 233 masks becomes a permanent part of their collection.
This second installation in the Fang Family Launchpad is a masterful example of the suspended, abstract works of looped wire for which Asawa is best known.
The Collection 2 exhibition focuses on the way artists undo and redo existing materials, structures, and history along with the state of their works. As a starting point, we look at pieces by Louise Bourgeois and Leonor Antunes that were acquired by the museum in 2023, and a work by Ruth Asawa that was acquired in 2024 and is being shown here for the first time in Japan.
Ruth Asawa: Retrospective presents the full range of the artist’s groundbreaking practice, offering an in-depth look at her expansive output and its inspirations through more than 300 artworks.
An in-depth exhibition that delves into the dynamic intersections between weaving and abstraction. The exhibition’s final presentation will include numerous works not seen at earlier venues.
Color has challenged and fascinated printmakers since the Renaissance. This exhibition explores technological and artistic revolutions in color printmaking from the 16th century through today.
“I’m not so interested in the expression of something. I’m more interested in what the material can do. So that’s why I keep exploring,”
Since its establishment in 1956 with a gift of prints from Los Angeles collector Fred Grunwald, the UCLA Grunwald Center for the Graphic Arts has evolved into one of the […]
While the appreciation of Asawa’s work has grown exponentially in the last decade, this retrospective is the first major museum exhibition to fully consider every aspect of the artist’s exquisite, varied, and groundbreaking practice.
The first European retrospective dedicated to Ruth Asawa (1926–2013), the influential American artist of Japanese descent, offers an extraordinary opportunity to experience the ways in which Asawa transformed the simplest of materials into fascinating object, blurring the boundaries between abstraction and figuration, art and craft, action and contemplation.