From the mid-1960s through 2000, Asawa created hundreds of individual face masks out of clay. With the Cantor's Asian American Art Initiative, this wall of 233 masks becomes a permanent part of their collection.
This second installation in the Fang Family Launchpad is a masterful example of the suspended, abstract works of looped wire for which Asawa is best known.
The first solo presentation of Asawa’s work in Greater China, the exhibition provides an overview of the artist’s wide-ranging practice, focusing in particular on her affinity for the natural world, which in turn provided a constant source of inspiration in her art.
An in-depth exhibition that delves into the dynamic intersections between weaving and abstraction. The exhibition’s final presentation will include numerous works not seen at earlier venues.