Focusing on works made from 1900 to 1960, Where We Are traces how artists have approached the relationships, institutions, and activities that shape our lives. Drawn entirely from the Whitney’s holdings, the exhibition is organized around five themes: family and community, work, home, the spiritual, and the nation. During the six decades covered here, the United States […]
Found in Translation: Design in California and Mexico, 1915–1985 is a groundbreaking exhibition and accompanying book about design dialogues between California and Mexico. Its four main themes—Spanish Colonial Inspiration, Pre-Columbian Revivals, Folk Art and Craft Traditions, and Modernism—explore how modern and anti-modern design movements defined both locales throughout the twentieth century. Half of the show’s […]
Abstract Expressionism: Looking East from the Far West considers mid-20th-century abstraction through its Asian-American practitioners, with a special focus on Hawai‘i artists. It is the first museum exhibition to bring artists of the New York School together with Asian-American artists who studied and worked in New York in the 1940s and 1950s, examining the influence […]
The exhibition will bring together a selection of key sculptures, paintings, and works on paper spanning Asawa's influential practice, as well as rare archival materials, including a group of vintage photographs of the artist and her work by Imogen Cunningham.
Featuring work by Josef Albers, Anni Albers, Ruth Asawa, and Ray Johnson—all of whom were at Black Mountain College in North Carolina in the late 1940s—this exhibition will explore both the aesthetic and personal dialogue between these artists during their Black Mountain years and beyond;
In commemoration of the 75th Anniversary of Executive Order 9066, the National Japanese American Historical Society presents Artists’ Eyes, Art of Incarceration. During World War II, Executive Order 9066 led to the registration, exclusion, forced removal and mass incarceration of 120,000 Japanese Americans from the West Coast. Two multigenerational art exhibits reveal a successive unearthing […]
56 + 69 BROADWAY Opening Reception: Friday, September 29, 5-7pm – Performance by Martha McDonald at 5:30 pm FREE ACTIVE ARCHIVE is a stream of programs that pairs the museum’s extensive collection with contemporary artists, curators, and cultural thinkers. It launches with an exhibition featuring the museum’s permanent collection curated by Philadelphia-based interdisciplinary artist Martha McDonald. […]
The fifth annual edition of FOG Design+Art will take place January 11–14, 2018 with a Preview Gala benefiting San Francisco Museum of Modern Art (SFMOMA) on Wednesday, January 10, 2018.
Anni Albers (1899 – 1994) was a multifaceted artist who established weaving as an art form and united this ancient cultural technology with modern artistic practices. This retrospective exhibition offers deep insight into the achievement of the artist, craftswoman, designer, author, and teacher Anni Albers, from her beginnings at the innovative Bauhaus in Weimar and Dessau, to her time at the legendary Black Mountain College, and up until the 1980s.
The Pulitzer presents the first major museum exhibition of the work of Ruth Asawa (1926–2013) since 2006, and the first ever outside the West Coast, where the artist lived and worked for six decades. This landmark career-spanning show brings together some eighty works, comprising nearly sixty sculptures from the full trajectory of her career.