The exhibition looks at how women from the 18th century to the present
day have deployed the visual language and universal formal concerns of abstraction—color, line, shape,
contrast, pattern, and texture—working across a wide variety of media, including painting, textiles,
sculpture, photography, drawing, and ceramics.
David Zwirner is pleased to announce Black Mountain College: The Experimenters, a group exhibition on view in The Upper Room at the gallery’s London location.
This sprawling group exhibition traces the use of the form of the grid in contemporary art, beginning with some of its most illustrious mid-20th century proponents. From there, it examines conceptual uses of the grid from the 1970s and 80s and utilizes that history to establish a vantage point from which to explore a current resurgence in the motif among contemporary artists of wide-ranging cultural backgrounds.
Ruth Asawa Through Line is the first exhibition to examine Ruth Asawa’s oeuvre through the lens of her lifelong drawing practice.
With over 150 works by an international and transhistorical roster of artists, this exhibition reveals how shifting relations among abstract art, fashion, design, and craft shaped recurrent aesthetic, cultural, and socio-political forces, as they, in turn, were impacted by modernist art forms.
Fog Design+Art celebrates today’s most significant contributors to the worlds of design and visual arts, including 45 leading international galleries.
“What is an Asian American woman artist?” Karin Higa’s influential essay from 2002 recounts the historical exclusion of Asian American women from the male-dominated Asian American movement and the second wave feminists of the 1960s and 1970s by tracing the art and lives of the following Asian American women artists: Ruth Asawa, Hisako Hibi, Theresa Hak Kyung Cha, Rea Tajiri, and Hung Liu.
Spanning over 60 years of contemporary sculpture, this exhibition highlights ways in which artists draw on familiar experiences of movement, flux and organic growth.
Woven Histories delves into dynamic moments when social and political issues have activated textile production and artmaking with heightened focus and urgency. Traced chronologically with 160 works made in a range of techniques—from oil painting to weaving, basketry, netting, knotting, and knitting—the exhibition explores the overlap between abstract art, fashion, design, and craft.
The exhibition presents drawings, collages, watercolors, and sketchbooks alongside stamped prints, paperfolds, and copper-foil works, showing the breadth of Asawa’s innovative practice.