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DTSTART:20230101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240118T110000
DTEND;TZID=UTC:20240120T190000
DTSTAMP:20260407T032738
CREATED:20240111T201153Z
LAST-MODIFIED:20240111T202500Z
UID:2706-1705575600-1705777200@ruthasawa.com
SUMMARY:Fog Design+Art
DESCRIPTION:Celebrating today’s most significant creatives and leading contributors to the worlds of design and visual arts\, the fair assembles 45 leading international galleries; prominent 20th-century and contemporary design dealers; and a weekend of exciting programs. \nFOG has become a focal point for the design and arts communities on the West Coast and further afield. The fair is synonymous with a uniquely pioneering spirit due to its bold hybrid approach and intimate presentation of art and design\, dynamic programming on-site and its community-led mission to champion art and design in its historic Fort Mason setting. Building on FOG’s longstanding commitment to cultural institutions\, the fair’s Preview Gala is honored to continue its crucial support of SFMOMA’s exhibitions and education programs. FOG represents a key moment in which the local and global community congregate to engage in critical dialogue\, artistic exchanges\, and a shared passion for creative pursuits. \nFOG Design+Art offers two ticket options in 2024\, a single day ticket or a four day fair pass are available for purchase. \nGeneral Admission \nThursday\, January 18–Saturday\, January 20\, 2024\n11:00 a.m.–7:00 p.m. \nSunday\, January 21\, 2024\n11:00 a.m.–5:00 p.m. \nSingle Day Tickets are $30 in advance\, $35 at the door and online.\nFour Day Fair Tickets are $75 in advance\, $80 at the door and online.\nChildren 12 and under are free. \nBuy Tickets > \nThere is a preview gala on 1/17 from 4-10pm
URL:https://ruthasawa.com/exhibition/fog-designart/
LOCATION:Fort Mason Center\, Fort Mason Center for Arts & Culture\, Landmark Building C\, 2 Marina Blvd\, San Francisco\, CA\, 94123\, United States
ATTACH;FMTTYPE=image/webp:https://ruthasawa.com/wp-content/uploads/2024/01/S.762_Zwirner_ASARU0091-fog.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240127T120000
DTEND;TZID=UTC:20240420T170000
DTSTAMP:20260407T032738
CREATED:20240206T213027Z
LAST-MODIFIED:20240207T004119Z
UID:2734-1706356800-1713632400@ruthasawa.com
SUMMARY:In the Presence of:  Collective Histories of the Asian American Women Artists Association
DESCRIPTION:Curated by Christina Hiromi Hobbs \n“What is an Asian American woman artist?” \nKarin Higa’s influential essay from 2002 recounts the historical exclusion of Asian American women from the male-dominated Asian American movement and the second wave feminists of the 1960s and 1970s by tracing the art and lives of the following Asian American women artists: Ruth Asawa\, Hisako Hibi\, Theresa Hak Kyung Cha\, Rea Tajiri\, and Hung Liu. The author recognizes the specificities of the artists’ personal and collective histories\, generational differences\, and artistic practices\, and she concludes\, “What is the wisdom in grouping the diverse and divergent practices of these artists?” \nWhile recent theorizations of Asian American femininity animated through the registers of ornamentalism\, inscrutability\, invisibility\, and silence have been organized around an understanding of gender formation as an individual process\, In the Presence Of returns to Higa’s question “What is an Asian American woman artist?” through the frameworks of kinship\, mentorship\, intergenerational friendship\, and community-building between artists in the group. \nThe Asian American Women Artists Association (AAWAA) was founded in 1989 by the artists Flo Oy Wong and Betty Kano with the ardent support of art historian Moira Roth as an ecology of support for Asian American women that provided the space for experimentation and the reimagining of “a place of one’s own.” Through the production of exhibitions\, slide presentations\, symposia\, and publications\, AAWAA has sought to address Asian American women artists’ historical absence within mainstream art institutions and their misrepresentation within the historical record. Over the past thirty-five years\, the association has fostered the creative practices of hundreds of artists and writers in the Bay Area including Lucy Arai\, Ruth Asawa\, Bernice Bing\, Theresa Hak Kyung Cha\, Lenore Chinn\, Terry Acebo Davis\, Shari Arai DeBoer\, Hisako Hibi\, Nancy Hom\, Betty Kano\, Genny Lim\, Hung Liu\, Barbara Jane Reyes\, Pallavi Sharma\, Cynthia Tom\, Flo Oy Wong\, and Nellie Wong. Founded in the same year that Carlos Villa held the symposia Sources of a Distinct Majority at the San Francisco Art Institute and one year prior to the creation of Godzilla: Asian American Arts Network in New York\, AAWAA’s ongoing history over the past thirty-five years traces the development of Asian American art from the era of multiculturalism to the present. \nFollowing the Women’s Caucus for Art held in San Francisco in February 1989\, Wong and Kano recognized the lack of Asian American participation and leadership\, and with the support of Roth the artists reached out to other Asian American women in their network leading to the first meeting of AAWAA. According to Kano\, an important recognition that influenced the group’s formation was the realization that “in order to be successful in an art world dominated by white males\, people of color needed to control the whole apparatus of art production\,” and therefore the association has not only produced exhibitions but also published writing on Asian American women artists and developed relationships with curators and scholars focusing on Asian American art including Karin Higa\, Elaine Kim\, and Margo Machida. In the Presence Of takes its title from the feeling expressed by members at the early AAWAA meetings that the purpose of the organization at its founding was simply to be together. The exhibition foregrounds the relationships between artists involved in AAWAA as well as forms of remembrance that offered space for healing\, reflection\, and historicization on the artist’s terms. Through the practices of tributes\, gift-giving\, and coalition-building\, the exhibition seeks to highlight the collective practices between artists that the association has cultivated in order to present an archive that is at once celebratory\, messy\, caring\, disjointed\, and most of all\, in process\, as the association continues to the present day. \nThe Berkeley Art Center is open from Thurs – Sun 12pm to 5pm. \nPhoto: Betty Kano. Love Letter #3 (1992) Acrylic on canvas. 36 x 36”
URL:https://ruthasawa.com/exhibition/in-the-presence-of-collective-histories-of-the-asian-american-women-artists-association/
LOCATION:Berkeley Art Center\, 1275 Walnut Street\, Berkeley\, CA\, 94709\, United States
ATTACH;FMTTYPE=image/webp:https://ruthasawa.com/wp-content/uploads/2024/02/love-letter.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240207T080000
DTEND;TZID=UTC:20240506T170000
DTSTAMP:20260407T032738
CREATED:20240206T225409Z
LAST-MODIFIED:20240207T005148Z
UID:2741-1707292800-1715014800@ruthasawa.com
SUMMARY:When Forms Come Alive
DESCRIPTION:Spanning over 60 years of contemporary sculpture\, this exhibition highlights ways in which artists draw on familiar experiences of movement\, flux and organic growth. \nInspired by sources ranging from a dancer’s gesture to the breaking of a wave\, from a flow of molten metal to the interlacing of a spider’s web\, the artworks in When Forms Come Alive conjure fluid and shifting realms of experience. \nUndulating\, drooping\, erupting\, cascading and promiscuously proliferating\, these sculptures invite a tactile gaze\, and trigger physical responses. In an era when our encounters are increasingly digitised and disembodied\, these artworks call to mind the pleasures of gesture and movement\, the poetics of gravity and the experience of sensation itself. \nPalpably dynamic\, they proclaim that nothing in the world stays the same\, that everything is moving\, seething\, changing and transforming. \nInviting a tactile gaze and triggering a physical response\, When Forms Come Alive is one of the most anticipated exhibitions of 2024 according to Time Out\, Evening Standard and AnOther Magazine. \nThe exhibition features work by 21 international artists: Ruth Asawa\, Nairy Baghramian\, Phyllida Barlow\, Lynda Benglis\, Michel Blazy\, Paloma Bosquê\, Olaf Brzeski\, Choi Jeong Hwa\, Tara Donovan\, DRIFT\, Eva Fàbregas\, Holly Hendry\, EJ Hill\, Marguerite Humeau\, Jean-Luc Moulène\, Senga Nengudi\, Ernesto Neto\, Martin Puryear\, Matthew Ronay\, Teresa Solar Abboud and Franz West. \nThe exhibition is generously supported by the When Forms Come Alive Exhibition Supporters’ Group: Bianca and Stuart Roden\, Simon Morris and Annalisa Burello\, White Cube\, Thomas Dane Gallery\, Gagosian\, Sprüth Magers\, David Zwirner Gallery and Sarah Cannon. Additional support has also kindly been provided by the Henry Moore Foundation\, Hauser & Wirth and Fluxus Art Projects. \nThe Hayward Gallery is open: \nWed – Fri\, 10am – 6pm\nSat\, 10am – 8pm\nSun\, 10am – 6pm \n 
URL:https://ruthasawa.com/exhibition/when-forms-come-alive/
LOCATION:hayward gallery\, Southbank Centre\, Belvedere Road\, London\, SE1\, 8XX\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://ruthasawa.com/wp-content/uploads/2024/02/octo.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240317T100000
DTEND;TZID=UTC:20240728T170000
DTSTAMP:20260407T032738
CREATED:20240207T003811Z
LAST-MODIFIED:20240207T003811Z
UID:2747-1710669600-1722186000@ruthasawa.com
SUMMARY:Woven Histories: Textiles and Modern Abstraction
DESCRIPTION:Want to appreciate more art and design in your daily life? Just look down. The apparel we wear reflects not only our personal tastes and values but also a profound relationship to modern art. Woven Histories: Textiles and Modern Abstraction reveals the myriad ways textiles intersect with and influence world-renowned modern artists and movements. \nWoven Histories delves into dynamic moments when social and political issues have activated textile production and artmaking with heightened focus and urgency. Traced chronologically with 160 works made in a range of techniques—from oil painting to weaving\, basketry\, netting\, knotting\, and knitting—the exhibition explores the overlap between abstract art\, fashion\, design\, and craft. \nPictured (L to R): Untitled (S.310\, Hanging Five-Lobed Continuous Form Within a Form with Spheres in the Second\, Third\, and Bottom Lobes)\, Untitled (S.089\, Hanging Asymmetrical Twelve Interlocking Bubbles)\, and Untitled (S.027\, Hanging Six-and-a-Half Open Hyperbolic Shapes that Penetrate Each Other) \nInstallation photo of the exhibition Woven Histories: Textiles and Modern Abstraction at the Los Angeles County Museum of Art (Sep 17\, 2023 – Jan 21\, 2024)\, Artwork @ 2023 Ruth Asawa Lanier\, Inc./Artists Rights Society (ARS)\, New York. Courtesy David Zwirner\, photo @ Museum Associates/LACMA
URL:https://ruthasawa.com/exhibition/woven-histories-textiles-and-modern-abstraction-2/
LOCATION:National Gallery of Art\, National Gallery\, Constitution Ave. NW\, Washington\, DC\, 20565\, United States
ATTACH;FMTTYPE=image/webp:https://ruthasawa.com/wp-content/uploads/2024/02/EX9047-VW049.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240322T110000
DTEND;TZID=UTC:20240721T190000
DTSTAMP:20260407T032738
CREATED:20230613T171611Z
LAST-MODIFIED:20230918T205922Z
UID:2620-1711105200-1721588400@ruthasawa.com
SUMMARY:Ruth Asawa Through Line
DESCRIPTION:The exhibition presents drawings\, collages\, watercolors\, and sketchbooks alongside stamped prints\, paperfolds\, and copper-foil works\, showing the breadth of Asawa’s innovative practice. Many of the more than one hundred works from public and private collections have not been previously exhibited. Organized thematically\, the presentation begins with foundational lessons that the artist absorbed and built upon at Black Mountain College in the late 1940s. Subsequent sections examine the function of repetition and the development of specific motifs and approaches—from the Greek meander to paper folded in structural patterns—and how they recur and change throughout her career. Surveying the artist’s impressive range and expansive approach\, Ruth Asawa Through Line offers an unparalleled window into Asawa’s resourceful approach to drawing\, with her particular attention to materials\, line\, surface\, and space. \nRuth Asawa Through Line is co-organized by the Menil Collection and the Whitney Museum of American Art\, in close collaboration with the estate of Ruth Asawa. \nThis presentation is accompanied by a copiously illustrated\, scholarly catalogue co-published by the Menil Collection and the Whitney Museum of American Art\, and distributed by Yale University Press. The book\, with more than 200 illustrations\, reproduces many previously unpublished works as well as archival materials. \nThe Menil Collection is open from Wed – Sun from 11-7.\nClosed Mon and Tues\, and major holidays\nReserve free timed entry > \nRuth Asawa Through Line is co-curated by Edouard Kopp\, John R. Eckel\, Jr. Foundation Chief Curator of the Menil Drawing Institute and Kim Conaty\, Steven and Ann Ames Curator of Drawings and Prints at the Whitney Museum of American Art\, with Kirsten Marples\, curatorial associate at the Menil Drawing Institute\, and Scout Hutchinson\, curatorial fellow at the Whitney Museum. \nMajor funding for this exhibition is provided by The Henry Luce Foundation; The Andy Warhol Foundation for the Visual Arts; and Christie’s. Additional support comes from The Brown Foundation\, Inc./ Nancy Abendshein; Clare Casademont and Michael Metz; Barbara and Michael Gamson; Dillon Kyle and Sam Lasseter; Franci Neely; Susanne and William E. Pritchard III; Ann and Mathew Wolf Drawing Exhibition Fund; Nina and Michael Zilkha; the City of Houston through Houston Arts Alliance.
URL:https://ruthasawa.com/exhibition/ruth-asawa-through-line-2/
LOCATION:Menil Drawing Institute\, 1412 W. Main St.\, Houston\, TX\, 77006\, United States
ATTACH;FMTTYPE=image/webp:https://ruthasawa.com/wp-content/uploads/2023/06/wc252@0.5x.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241007T080000
DTEND;TZID=UTC:20260228T170000
DTSTAMP:20260407T032738
CREATED:20241007T232348Z
LAST-MODIFIED:20241008T215906Z
UID:2857-1728288000-1772298000@ruthasawa.com
SUMMARY:Installation: Ruth Asawa: Untitled (S.272)
DESCRIPTION:An iconic work by a beloved and influential Bay Area artist\, Untitled (S.272) is a nine-foot-tall hanging sculpture composed of looped copper and iron wire\, created in the mid-1950s by Ruth Asawa (American\, 1926–2013). This second installation in the Fang Family Launchpad is a masterful example of the suspended\, abstract works of looped wire for which Asawa is best known. Its airy interior and exterior spaces flow seamlessly into one another\, using organic lines that evoke shapes found in nature — including the human body — while also suggesting a gently undulating movement.    \nMuseum Hours:\nThu:\n1 PM – 8 PM\nFri–Mon:\n10 AM–5 PM\nTue–Wed:\nClosed \nPhoto: Ruth Asawa\, Untitled (S.272\, Hanging Seven-Lobed Continuous Interlocking Form with Spheres in Two Lobes)\, approx. 1954. Copper and iron wire. © 2024 Ruth Asawa Lanier\, Inc./Artists Rights Society (ARS)\, New York. Photograph by Kevin Candland. Photograph © Asian Art Museum of San Francisco.
URL:https://ruthasawa.com/exhibition/installation-ruth-asawa-untitled-s-272/
LOCATION:Asian Art Museum\, 200 Larkin Street\, San Francisco\, CA\, 94102\, United States
ATTACH;FMTTYPE=image/webp:https://ruthasawa.com/wp-content/uploads/2024/10/asian-art-2-mirot.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241119T090000
DTEND;TZID=UTC:20250222T170000
DTSTAMP:20260407T032738
CREATED:20241007T231116Z
LAST-MODIFIED:20241008T231757Z
UID:2849-1732006800-1740243600@ruthasawa.com
SUMMARY:Ruth Asawa: Doing Is Living
DESCRIPTION:David Zwirner is pleased to announce an exhibition of sculptures and works on paper by American artist Ruth Asawa (1926–2013) at the gallery’s Hong Kong location. Relentlessly experimental across a range of mediums\, Asawa is known for her works built on simple\, repeated gestures that accumulate into complex compositions. The artist moved effortlessly between abstract and figurative registers in both two and three dimensions\, creating a vast and varied oeuvre that\, despite its visual heterogeneity\, reflects above all her belief in the total integration of artistic practice and family life. The first solo presentation of Asawa’s work in Greater China\, the exhibition provides an overview of the artist’s wide-ranging practice\, focusing in particular on her affinity for the natural world\, which in turn provided a constant source of inspiration in her art. \nThe Gallery is open:\nTue\, Wed\, Thu\, Fri\, Sat: 11 AM-7 PM \nPhoto: Ruth Asawa\, Untitled (S.210\, Hanging Single-Section\, Reversible Open-Window Form)\, 1959. Photo by Laurence Cuneo. © 2024 Ruth Asawa Lanier\, Inc./Artists Rights Society (ARS)\, New York
URL:https://ruthasawa.com/exhibition/ruth-asawa-doing-is-living/
LOCATION:David Zwirner Hong Kong\, 5–6/F\, H Queen’s\, 80 Queen’s Road Central\, Hong Kong
ATTACH;FMTTYPE=image/webp:https://ruthasawa.com/wp-content/uploads/2024/10/zwirner-hong-kong-s.210-crop@0.5x.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250221T100000
DTEND;TZID=UTC:20250601T170000
DTSTAMP:20260407T032738
CREATED:20250221T225232Z
LAST-MODIFIED:20250221T230126Z
UID:2959-1740132000-1748797200@ruthasawa.com
SUMMARY:Collection 2: Undo\, Redo
DESCRIPTION:The Collection 2 exhibition focuses on the way artists undo and redo existing materials\, structures\, and history along with the state of their works. As a starting point\, we look at pieces by Louise Bourgeois and Leonor Antunes that were acquired by the museum in 2023\, and a work by Ruth Asawa that was acquired in 2024 and is being shown here for the first time in Japan. The exhibition also includes many other recent acquisitions. \nThe exhibition title was inspired by I Do\, I Undo\, I Redo\, a work by Bourgeois that was shown in Tate Modern’s Turbine Hall in 2000\, and the creative activities of artists such as Aiko Tezuka\, two of whom’s works were added to the museum collection in 2023. \nArtists:\nLouise BOURGEOIS\, Ruth ASAWA\, Leonor ANTUNES\, Tetsumi KUDO\, Shigeo ANZAÏ\, Sopheap PICH\, Yoko TERAUCHI\, Chiharu SHIOTA\, Zon ITO\, Izumi KATO\, Tomoaki ISHIHARA\, Kei TAKEMURA\, Rei NAITO\, Yayoi KUSAMA\, Ryoko AOKI\, Mari KATAYAMA\, BuBu de la Madeleine\, Miyako ISHIUCHI\, Saori AKUTAGAWA(MADOKORO)\, Tiger TATEISHI(Koichi・Taigaa)\, Tadanori YOKOO\, Miran FUKUDA\, Akira SHIMIZU\, Pei-Shih TU\, Sterling RUBY\, Aiko TEZUKA \nJiro TAKAMATSU\, Henry MOORE\, Marino MARINI\, Joan MIRÓ\, Alexander CALDER\, Yoshihiro SUDA\, Mark MANDERS\n*Exhibits are subject to change. \nThe Museum is open 10:00–17:00 (last admission 16:30) \nFridays and Saturdays until 20:00 (last admission 19:30). \nClosed Mondays \nHours and Admission \n \nFree admission days\nFebruary 15\, March 1\, April 5\, May 3 and 18.
URL:https://ruthasawa.com/exhibition/collection-2-undo-redo/
LOCATION:National Museum Of Art Osaka\, 4-2-55 Nakanoshima\, Kita-ku\, Osaka\, Japan
ATTACH;FMTTYPE=image/webp:https://ruthasawa.com/wp-content/uploads/2025/02/Asawa_nmao-1600.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250405T100000
DTEND;TZID=UTC:20250902T170000
DTSTAMP:20260407T032738
CREATED:20250122T224627Z
LAST-MODIFIED:20250122T225948Z
UID:2942-1743847200-1756832400@ruthasawa.com
SUMMARY:Ruth Asawa: Retrospective
DESCRIPTION:Ruth Asawa: Retrospective will present the full range of the artist’s groundbreaking practice\, offering an in-depth look at her expansive output and its inspirations through more than 300 artworks. It also will explore the ways her longtime San Francisco home and garden served as the epicenter of her creative universe and highlight the ethos of collaboration and inclusivity that informed her numerous public sculpture commissions and unwavering dedication to arts advocacy. \nAsawa’s signature looped-wire sculptures will share gallery space with lesser-known works that bring insight into the relentlessly experimental nature of her artistic vision. In addition to Asawa’s own work\, the exhibition will include a select number of works by peers and mentors with whom Asawa engaged in creative dialogue\, including Josef Albers and Imogen Cunningham. \nMember Previews: April 4\, 10 a.m.–5 p.m. + April 5–6\, 10 a.m.–Noon \nMember presale starts Feb 18 and General Public tickets go on sale March 11. Exhibition will be surcharged. \nRuth Asawa: Retrospective is an exhibition partnership between the San Francisco Museum of Modern Art (SFMOMA) and The Museum of Modern Art\, New York (MoMA). The exhibition is co-curated by Janet Bishop\, Thomas Weisel Family Chief Curator and Curator of Painting and Sculpture\, SFMOMA and Cara Manes\, Associate Curator\, Department of Painting and Sculpture\, MoMA; with Marin Sarvé-Tarr\, Assistant Curator\, and William Hernández Luege\, Curatorial Associate\, Painting and Sculpture\, SFMOMA; and Dominika Tylcz\, Curatorial Assistant\, Department of Department of Painting and Sculpture\, MoMA.
URL:https://ruthasawa.com/exhibition/ruth-asawa-retrospective/
LOCATION:SF MOMA\, 151 Third St\, San Francisco\, CA\, 94103
ATTACH;FMTTYPE=image/webp:https://ruthasawa.com/wp-content/uploads/2025/01/asawa-sig-moma-scaled-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250420T103000
DTEND;TZID=UTC:20250913T170000
DTSTAMP:20260407T032738
CREATED:20241008T215124Z
LAST-MODIFIED:20241008T223131Z
UID:2869-1745145000-1757782800@ruthasawa.com
SUMMARY:Woven Histories: Textiles and Modern Abstraction
DESCRIPTION:The Museum of Modern Art announces Woven Histories: Textiles and Modern Abstraction\, an in-depth exhibition that delves into the dynamic intersections between weaving and abstraction. The exhibition will include approximately 150 works in a range of mediums—from textiles and basketry to painting\, drawing\, sculpture\, and media works—exploring the overlap between abstract art\, weaving\, craft\, and fashion. Woven Histories challenges long-held notions of the weave as a function of textile alone\, exploring the many forms both warp and weft have taken when explored by abstract artists over the past 100 years. Previously on view at the Los Angeles County Museum of Art\, the National Gallery of Art in Washington\, DC\, and the National Gallery of Canada\, Ottawa\, the exhibition’s final presentation will be at MoMA\, with numerous works not seen at earlier venues. \nPhoto: Installation photo of the exhibition Woven Histories: Textiles and Modern Abstraction at the Los Angeles County Museumof Art (Sep 17\, 2023 – Jan 21\, 2024)\, Artwork © 2024 Ruth Asawa Lanier\, Inc./Artists Rights Society (ARS)\, New York.Courtesy David Zwirner\, photo © Museum Associates/LACMA
URL:https://ruthasawa.com/exhibition/woven-histories-textiles-and-modern-abstraction-3/
LOCATION:MoMA\, 11 West 53 Street\, Manhattan\, New York\, NY\, 10019\, United States
ATTACH;FMTTYPE=image/webp:https://ruthasawa.com/wp-content/uploads/2024/10/ra-sculptures@0.5x.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250524T093000
DTEND;TZID=UTC:20251130T171500
DTSTAMP:20260407T032738
CREATED:20250221T231652Z
LAST-MODIFIED:20250221T231652Z
UID:2965-1748079000-1764522900@ruthasawa.com
SUMMARY:Printing Color: Chiaroscuro to Screenprint
DESCRIPTION:Color has challenged and fascinated printmakers since the Renaissance. This exhibition explores technological and artistic revolutions in color printmaking from the 16th century through today. From innovative 18th-century mezzotints to avant-garde 19th-century lithographs to experimental works by contemporary artists Kiki Smith and Henry Taylor\, the exhibition highlights printmaking across time and technique. These vibrant works on paper reveal the enduring pull of color in print. \nPhoto: Loretta Bennett (b. 1960)\, Forever (for Old Lady Sally)\, 2006\, 2006. Color softground and spitbite aquatint etching\, 20 x 35 7/8 in. (50.8 x 91.1 cm). Fine Arts Museums of San Francisco\, gift of Paulson Bott Press\, 2015.42.44. © Loretta Pettway Bennett and Estate of Luella Pettway / Artists Rights Society (ARS)\, New York
URL:https://ruthasawa.com/exhibition/printing-color-chiaroscuro-to-screenprint/
LOCATION:Legion Of Honor\, 100 34th Avenue\, Lincoln Park\, San Francisco\, 94121\, United States
ATTACH;FMTTYPE=image/webp:https://ruthasawa.com/wp-content/uploads/2025/02/chiarusco.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251019T103000
DTEND;TZID=UTC:20260207T173000
DTSTAMP:20260407T032738
CREATED:20250822T221336Z
LAST-MODIFIED:20250822T222127Z
UID:3147-1760869800-1770485400@ruthasawa.com
SUMMARY:Ruth Asawa: A Retrospective
DESCRIPTION:“I’m not so interested in the expression of something. I’m more interested in what the material can do. So that’s why I keep exploring\,” said artist\, educator\, and civic leader Ruth Asawa\, reflecting on a six-decade-long career. Featuring some 300 artworks\, Ruth Asawa: A Retrospective charts the artist’s lifelong explorations of materials and forms in a variety of mediums\, including wire sculpture\, bronze casts\, drawings\, paintings\, prints\, and public works. This first posthumous survey celebrates the ways in which Asawa continuously transformed materials and objects into subjects of contemplation\, unsettling distinctions between abstraction and figuration\, figure and ground\, and negative and positive space. \nAsawa made art every day\, pursuing the inexhaustible possibilities offered by simple materials such as paper and wire since her days at Black Mountain College\, where she studied in the late 1940s. Following a move to San Francisco in 1949\, her practice grew exponentially as she produced a body of work ranging from endless variations of abstract looped-wire sculptures to calligraphic ink paintings. \nCommunity was crucial to Asawa\, who realized numerous public commissions—fountains\, murals\, and memorials—from the late 1960s onward\, and stood at the forefront of arts education in the Bay Area and beyond. Taking a cue from her own work\, Ruth Asawa: A Retrospective offers numerous points of entry into her art\, encouraging close looking. It also reveals the model of integrated art practice cultivated by Asawa\, for whom all acts held a creative potential and for whom there was no separation between living and making art. \nMoMA\, Floor 6The Steven and Alexandra Cohen Center for Special Exhibitions \nMember Previews: Thursday\, Oct 16 – Saturday\, Oct 18 \nLast look for members: Sunday\, Feb 8 \nGet tickets >
URL:https://ruthasawa.com/exhibition/ruth-asawa-a-retrospective/
LOCATION:MoMA\, 11 West 53 Street\, Manhattan\, New York\, NY\, 10019\, United States
ATTACH;FMTTYPE=image/webp:https://ruthasawa.com/wp-content/uploads/2025/08/8-lobed-detail.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251220T110000
DTEND;TZID=UTC:20260517T180000
DTSTAMP:20260407T032738
CREATED:20251203T191249Z
LAST-MODIFIED:20251203T191249Z
UID:3158-1766228400-1779040800@ruthasawa.com
SUMMARY:Five Centuries of Works on Paper: The Grunwald Center at 70
DESCRIPTION:Since its establishment in 1956 with a gift of prints from Los Angeles collector Fred Grunwald\, the UCLA Grunwald Center for the Graphic Arts has evolved into one of the nation’s foremost collections of works on paper. Over the decades\, the Grunwald Center’s holdings have expanded through donations and acquisitions\, and now comprise more than 45\,000 prints\, drawings\, photographs\, and artists’ books dating from the Renaissance to the present. Housed at the Hammer Museum since 1994\, the Grunwald Center fosters learning and discovery through its collection\, which is regularly presented in exhibitions and made accessible in its dedicated study room. This exhibition marks the 70th anniversary of the Grunwald Center\, celebrating its history through a selection of significant works that reflect the collection’s breadth and diversity. It will feature nearly 100 works by over 90 artists\, including Andrea Mantegna\, Albrecht Dürer\, Hendrick Goltzius\, Rembrandt van Rijn\, George Cruikshank\, Jose Guadalupe Posada\, Henri de Toulouse Lautrec\, Vassily Kandinsky\, Käthe Kollwitz\, Pablo Picasso\, Grant Wood\, Ansel Adams\, Norman Lewis\, Elizabeth Catlett\, Charles White\, Corita Kent\, Ruth Asawa\, Bridget Riley\, David Hockney\, Ed Ruscha\, Analia Saban\, and Toba Khedoori. \n  \nGallery Hours\nMonday: Closed\nTuesday–Thursday: 11AM–6PM\nFriday: 11AM–8PM\nSaturday–Sunday: 11AM–6PM \n  \nFree for good!
URL:https://ruthasawa.com/exhibition/five-centuries-of-works-on-paper-the-grunwald-center-at-70/
LOCATION:Hammer Museum\, 10899 Wilshire Boulevard\, Los Angeles\, CA\, 90024\, United States
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260319T100000
DTEND;TZID=UTC:20260913T190000
DTSTAMP:20260407T032738
CREATED:20260216T175143Z
LAST-MODIFIED:20260216T181815Z
UID:3166-1773914400-1789326000@ruthasawa.com
SUMMARY:Ruth Asawa: Retrospective
DESCRIPTION:Ruth Asawa  was one of the most uniquely gifted and productive artists to emerge in the postwar era in the United States. Raised on a farm in Southern California\, the teenage Asawa and her family were detained in Japanese American incarceration camps in 1942. By 1946\, Asawa enrolled in the experimental Black Mountain College near Asheville\, North Carolina. She thrived in the school’s intense and creative atmosphere\, where the encouragement of her teachers\, including Josef Albers\, pushed her to explore the possibilities of ordinary materials\, including stamps\, leaves\, paper\, and eventually wire. \nAmong her early innovations are her suspended looped-wire sculptures: sinewy\, sensuous\, and transparent forms that later explore repetition\, shape\, shadows\, and space. In 1949\, Asawa moved to San Francisco\, and broadened her range of three-dimensional work with complex tied-wire sculptures that later suggest organic structures such as flowers\, roots\, trees\, and nervous systems\, as well as electroplated and cast bronze works\, paintings\, prints\, and drawings. By the late 1960s\, Asawa was well-known in the San Francisco Bay Area for her public art commissions\, advocacy for arts education\, and her civic leadership. While the appreciation of Asawa’s work has grown exponentially in the last decade\, this retrospective is the first major museum exhibition to fully consider every aspect of the artist’s exquisite\, varied\, and groundbreaking practice. \nRuth Asawa: Retrospective is an exhibition partnership between the San Francisco Museum of Modern Art (SFMOMA) and the Museum of Modern Art\, New York (MoMA). This presentation was developed in collaboration with the Guggenheim Museum Bilbao. \nThe exhibition is co-curated by Janet Bishop\, Thomas Weisel Family Chief Curator\, SFMOMA\, and Cara Manes\, Associate Curator\, Department of Painting and Sculpture\, MoMA\, in collaboration with Geaninne Gutiérrez-Guimarães\, Curator\, Guggenheim Museum Bilbao. \nHours: \nTUESDAY–SUNDAY \n10 am to 7 pm. \nOpen on Mondays March 25 and April 1. June 19 to September 22: open every day\, from 10:00 am to 8:00 pm. \nGeneral Admission €15\nOver 65 €7.50\nStudents 18-25 €7.50\nChildren and youths under 18 Free \nInternational exhibition tour supported by The Henry Luce Foundation \nPhoto: Artist Ruth Asawa making wire sculptures\, California\, United States\, November 1954;\nartwork: © 2026 Ruth Asawa Lanier\, Inc.\, Courtesy David Zwirner;\nimage: Nat Farbman/The LIFE Picture Collection/Shutterstock\n© Ruth Asawa\, Bilbao 2026
URL:https://ruthasawa.com/exhibition/ruth-asawa-retrospective-2/
LOCATION:Guggenheim Bilbao\, Abandoibarra Etorb.\, 2\, Bilbo\, Bizkaia\, 48009\, Spain
ATTACH;FMTTYPE=image/webp:https://ruthasawa.com/wp-content/uploads/2026/02/ruth-asawa-bilbao.webp
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BEGIN:VEVENT
DTSTART;TZID=UTC:20261018T100000
DTEND;TZID=UTC:20270110T180000
DTSTAMP:20260407T032738
CREATED:20260216T181109Z
LAST-MODIFIED:20260216T181909Z
UID:3172-1792317600-1799604000@ruthasawa.com
SUMMARY:Ruth Asawa: Retrospective
DESCRIPTION:The first European retrospective dedicated to Ruth Asawa (1926–2013)\, the influential American artist of Japanese descent\, offers an extraordinary opportunity to experience the ways in which Asawa transformed the simplest of materials into fascinating object\, blurring the boundaries between abstraction and figuration\, art and craft\, action and contemplation. Asawa’s multi-facetted and diverse oeuvre features wire and bronze sculptures\, drawings\, prints\, paintings\, and public commissions. In the late 1940s\, she studied at the legendary Black Mountain College under Josef Albers and others such as Buckminster Fuller and Merce Cunningham. From 1949\, Asawa lived in San Francisco\, where she produced a body of work ranging from variations of abstract looped-wire sculptures to calligraphic ink drawings\, which stand as an equally vital and autonomous part of her practice. Community engagement was central to Asawa’s life and work. From the late 1960s\, Asawa carried out numerous public commissions such as fountains\, murals and memorials. She also played a significant role in promoting art education in California’s Bay Area and beyond. While Ruth Asawa is widely celebrated in the United States\, this exhibition marks a rare and overdue opportunity for European audiences to encounter the full depth and richness of her artistic legacy. \nRuth Asawa is an exhibition partnership between the San Francisco Museum of Modern Art and The Museum of Modern Art\, New York. This presentation was developed by the Fondation Beyeler.
URL:https://ruthasawa.com/exhibition/ruth-asawa-retrospective-3/
LOCATION:Foundation Beyeler\, Baselstrasse 101\, 4125\, Riehen
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