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X-WR-CALNAME:Ruth Asawa
X-ORIGINAL-URL:https://ruthasawa.com
X-WR-CALDESC:Events for Ruth Asawa
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DTSTART:20210101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20220706T110000
DTEND;TZID=UTC:20280706T170000
DTSTAMP:20260618T230625Z
CREATED:20220702T024349Z
LAST-MODIFIED:20260618T230625Z
UID:2435-1657105200-1846515600@ruthasawa.com
SUMMARY:The Faces Of Ruth Asawa
DESCRIPTION:From the mid-1960s through 2000\, Asawa created hundreds of individual face masks out of clay. With the Cantor’s Asian American Art Initiative\, this wall of 233 masks becomes a permanent part of their collection. \nThe Asian American Art Initiative (AAAI) transforms Stanford into the leading academic and curatorial center for Asian American art. Alexander and Marci Kwon\, assistant professor in Stanford’s Department of Art and Art History\, serve as AAAI co-directors. As part of the initiative\, the Cantor works to build the preeminent collection of Asian American art at a university art museum. \nThe Cantor acquired Untitled (LC.012\, Wall of Masks) in 2020. On July 6\, 2022\, they go on long-term view at the museum\, marking the first time this work has been shown in its entirety at any museum or public institution. The focused exhibition\, The Faces of Ruth Asawa\, curated by Alexander\, features the masks and three vessels by Asawa’s son Paul Lanier. These special vessels were created with clay mixed with the ashes of Asawa\, her husband Albert\, and their late son\, Adam. Upon Asawa’s death—per her request—Lanier took this material and threw a set of vessels\, one for each remaining sibling. The three included in The Faces of Ruth Asawa were borrowed from the family. Their inclusion in the exhibition further demonstrates Asawa’s deeply intimate connection to clay. \nHear from Asawa’s family and friends\, including mask subjects\, about her process making the masks > \nThe museum is open Wed – Sun\, free with reservations. Reserve here > \nEnd date is open-ended.
URL:https://ruthasawa.com/exhibition/the-faces-of-ruth-asawa/
LOCATION:Cantor Arts Center\, 328 Lomita Drive at Museum Way\, Stanford\, CA\, 94305\, United States
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260808T110000
DTEND;TZID=UTC:20261003T160000
DTSTAMP:20260715T171628Z
CREATED:20260715T154154Z
LAST-MODIFIED:20260715T171628Z
UID:3232-1786186800-1791043200@ruthasawa.com
SUMMARY:Ruth Asawa: Endless Variations
DESCRIPTION:In July I will have a show of drawings and new sculpture(s) which I am now working on. It is very exciting\, for example: I have 1\,000 strands of wire in a bundle; I divide them into 3 until 2 strands are left. I tie each joint with the same wire\, so there is no solder used. My tool is a pair of pliers that will cut and twist the wire. The variations are endless. — Ruth Asawa to Josef Albers\, April 26\, 1963 \nIn 1962\, Asawa’s friends Paul and Virginia Hassel gave her a desert plant from Death Valley. Unable to draw it at first\, Asawa sculpted the plant out of wire to better understand its structure. Over the course of the next 35 years\, Asawa explored the idea in different mediums\, resulting in an expansive body of sculptures\, paintings\, drawings\, and prints. \nThe selection of work on view illustrates Asawa’s exploration of a familiar motif in different materials including wire\, paper\, plaster\, metallic foil\, tin\, fabric\, and more.   \nHours\nTuesday – Saturday; 11AM-4PM\nSunday – Monday; Closed \nArtwork © 2026 Ruth Asawa Lanier\, Inc.\, Courtesy David Zwirner
URL:https://ruthasawa.com/exhibition/ruth-asawa-endless-variations/
LOCATION:Ruth Asawa Lanier\, Inc. Gallery\, 1275 Minnesota St\, San Francisco\, CA\, 94107\, United States
ATTACH;FMTTYPE=image/webp:https://ruthasawa.com/wp-content/uploads/2026/07/sd-152-crop-1600.webp
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260905T100000
DTEND;TZID=UTC:20270531T170000
DTSTAMP:20260828T205323Z
CREATED:20260828T204908Z
LAST-MODIFIED:20260828T205323Z
UID:3254-1788602400-1811782800@ruthasawa.com
SUMMARY:Reclaiming the Future: The Legacy of Japanese American Incarceration
DESCRIPTION:The New Mexico Museum of Art is pleased to present Reclaiming the Future: The Legacy of Japanese American Incarceration\, a major exhibition bringing together ten Japanese and Japanese American artists whose work engages the enduring legacies of wartime incarceration\, migration\, memory\, and place. \nFeaturing works by Ruth Asawa\, Aisuke Kondo\, David Horvitz\, Lehuauakea\, Patrick Nagatani\, Ken Okiishi\, Roger Shimomura\, TT Takemoto\, Gaku Tsutaja\, and Carrie Yamaoka\, Reclaiming the Future traces the reverberations of histories that remain embedded in the landscapes and communities of New Mexico. Across sculpture\, painting\, photography\, installation\, video\, and mixed media\, the exhibition considers how artists recover obscured narratives while proposing new ways of inhabiting the present and hopeful futures. \nAnchored by the museum’s proximity to the former Santa Fe Internment Camp\, the exhibition invites viewers to consider the relationship between history and place—not as something fixed in the past\, but as a living terrain shaped by remembrance\, erasure\, resilience\, and return. Reclaiming the Future proposes that reclaiming history is also a way of reimagining what remains possible\, asking how the unfinished work of memory might reshape our understanding of the present and our responsibilities to the future. \nThe museum is closed on Mondays. \nPublic Opening Reception\, September 5\, 2026\,  5:30 – 7:30 PM \nGeneral admission: $12.\nNew Mexico residents with ID: $7.\nNM Educators: $3\nChild and Youth to 16: Free \nRuth Asawa Untitled (S.186\, Hanging Two Interlocking\, Three-Layered Spheres)\, c. 1958\, copper and brass wire\, 27 1/2 x 16 x 16 in. Artwork © 2026 Ruth Asawa Lanier\, Inc.\, Courtesy David Zwirner
URL:https://ruthasawa.com/exhibition/reclaiming-the-future-the-legacy-of-japanese-american-incarceration/
LOCATION:New Mexico Museum of Art  – Vladem Contemporary\, 404 Montezuma St.\, Santa Fe\, NM\, 87501\, United States
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BEGIN:VEVENT
DTSTART;TZID=UTC:20260920T080000
DTEND;TZID=UTC:20270110T170000
DTSTAMP:20260828T214509Z
CREATED:20260828T214449Z
LAST-MODIFIED:20260828T214509Z
UID:3261-1789891200-1799600400@ruthasawa.com
SUMMARY:Noguchi to Asawa: Designing Postwar America
DESCRIPTION:At first glance\, something familiar. Look again. \nYou’ve seen these forms before—a paper lantern\, a walnut table\, a wire form suspended in light. What you perhaps haven’t seen is who made them\, or what shaped them. \n\nIsamu Noguchi (1904–1988)\, sculptor and designer \nGeorge Nakashima (1905–1990)\, architect and furniture designer \nLeo Amino (1911–1989)\, sculptor \nS. Neil Fujita (1921–2010)\, graphic designer \nKay Sekimachi (b. 1926)\, fiber artist \nRuth Asawa (1926–2013)\, sculptor\n\nNoguchi\, Nakashima\, and Amino had started to build their practices before December 1941\, when the Japanese military attacked Pearl Harbor. The attack brought the United States into World War II\, and Japanese and Japanese American families were sent to incarceration camps—a seismic rupture that redirected these artists’ work and careers. Fujita was 20 at the time\, and Sekimachi and Asawa just teenagers; some of their earliest art training happened inside the camps. Each of the six followed a different path from there. \nThe works they created weren’t just gallery objects. They were album covers stacked by the record player\, a chair at the dinner table\, a lamp lighting the corner of a living room. You might not own the originals. You’ve likely lived with their influence anyway: this is the design language that shaped how a generation furnished\, decorated\, and saw modern America. \nNoguchi to Asawa: Designing Postwar America is the first exhibition of its kind to unite the work of these six iconic artists\, and to consider the question at the heart of the show: what shaped these objects\, and who shaped America because of it? \nOn view September 20\, 2026–January 10\, 2027\, in the Roberts Gallery.\nThe Barnes is open from Thursday-Monday 11-5\, 10-5 for members. \nAdults $30; seniors $28 (tickets good for 2 days); students $5; members free
URL:https://ruthasawa.com/exhibition/noguchi-to-asawa-designing-postwar-america/
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BEGIN:VEVENT
DTSTART;TZID=UTC:20261018T100000
DTEND;TZID=UTC:20270110T180000
DTSTAMP:20260216T181909Z
CREATED:20260216T181109Z
LAST-MODIFIED:20260216T181909Z
UID:3172-1792317600-1799604000@ruthasawa.com
SUMMARY:Ruth Asawa: Retrospective
DESCRIPTION:The first European retrospective dedicated to Ruth Asawa (1926–2013)\, the influential American artist of Japanese descent\, offers an extraordinary opportunity to experience the ways in which Asawa transformed the simplest of materials into fascinating object\, blurring the boundaries between abstraction and figuration\, art and craft\, action and contemplation. Asawa’s multi-facetted and diverse oeuvre features wire and bronze sculptures\, drawings\, prints\, paintings\, and public commissions. In the late 1940s\, she studied at the legendary Black Mountain College under Josef Albers and others such as Buckminster Fuller and Merce Cunningham. From 1949\, Asawa lived in San Francisco\, where she produced a body of work ranging from variations of abstract looped-wire sculptures to calligraphic ink drawings\, which stand as an equally vital and autonomous part of her practice. Community engagement was central to Asawa’s life and work. From the late 1960s\, Asawa carried out numerous public commissions such as fountains\, murals and memorials. She also played a significant role in promoting art education in California’s Bay Area and beyond. While Ruth Asawa is widely celebrated in the United States\, this exhibition marks a rare and overdue opportunity for European audiences to encounter the full depth and richness of her artistic legacy. \nRuth Asawa is an exhibition partnership between the San Francisco Museum of Modern Art and The Museum of Modern Art\, New York. This presentation was developed by the Fondation Beyeler.
URL:https://ruthasawa.com/exhibition/ruth-asawa-retrospective-3/
LOCATION:Foundation Beyeler\, Baselstrasse 101\, 4125\, Riehen
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