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X-WR-CALDESC:Events for Ruth Asawa
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DTSTART:20210101T000000
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BEGIN:VEVENT
DTSTART;TZID=UTC:20220706T110000
DTEND;TZID=UTC:20260706T170000
DTSTAMP:20260417T022555
CREATED:20220702T024349Z
LAST-MODIFIED:20250704T013213Z
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SUMMARY:The Faces Of Ruth Asawa
DESCRIPTION:From the mid-1960s through 2000\, Asawa created hundreds of individual face masks out of clay. With the Cantor’s Asian American Art Initiative\, this wall of 233 masks becomes a permanent part of their collection. \nThe Asian American Art Initiative (AAAI) transforms Stanford into the leading academic and curatorial center for Asian American art. Alexander and Marci Kwon\, assistant professor in Stanford’s Department of Art and Art History\, serve as AAAI co-directors. As part of the initiative\, the Cantor works to build the preeminent collection of Asian American art at a university art museum. \nThe Cantor acquired Untitled (LC.012\, Wall of Masks) in 2020. On July 6\, 2022\, they go on long-term view at the museum\, marking the first time this work has been shown in its entirety at any museum or public institution. The focused exhibition\, The Faces of Ruth Asawa\, curated by Alexander\, features the masks and three vessels by Asawa’s son Paul Lanier. These special vessels were created with clay mixed with the ashes of Asawa\, her husband Albert\, and their late son\, Adam. Upon Asawa’s death—per her request—Lanier took this material and threw a set of vessels\, one for each remaining sibling. The three included in The Faces of Ruth Asawa were borrowed from the family. Their inclusion in the exhibition further demonstrates Asawa’s deeply intimate connection to clay. \nHear from Asawa’s family and friends\, including mask subjects\, about her process making the masks > \nThe museum is open Wed – Sun\, free with reservations. Reserve here > \nEnd date is open-ended.
URL:https://ruthasawa.com/exhibition/the-faces-of-ruth-asawa/
LOCATION:Cantor Arts Center\, 328 Lomita Drive at Museum Way\, Stanford\, CA\, 94305\, United States
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BEGIN:VEVENT
DTSTART;TZID=UTC:20230916T103000
DTEND;TZID=UTC:20240115T180000
DTSTAMP:20260417T022555
CREATED:20230207T204117Z
LAST-MODIFIED:20230613T191313Z
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SUMMARY:Ruth Asawa Through Line
DESCRIPTION:Ruth Asawa Through Line is the first exhibition to examine Ruth Asawa’s oeuvre through the lens of her lifelong drawing practice. Co-organized by the Whitney Museum of American Art and the Menil Collection\, this presentation reveals the complexity and richness of the materials and processes she experimented with\, emphasizing the foundational role that drawing played in developing her distinct visual language.  \nPositioning drawings\, collages\, and watercolors alongside stamped prints\, copper foil works\, and sketchbooks\, the exhibition will expose the breadth of Asawa’s innovative practice through over one hundred works from public and private collections\, many of which have not been previously exhibited. Organized thematically\, the presentation will begin with foundational lessons the artist absorbed and built upon at Black Mountain College in the late 1940s.  \nThis exhibition is co-organized by Kim Conaty\, Steven and Ann Ames Curator of Drawings and Prints at the Whitney Museum of American Art\, and Edouard Kopp\, John R. Eckel\, Jr. Foundation Chief Curator of the Menil Drawing Institute\, with Scout Hutchinson\, Curatorial Fellow at the Whitney Museum\, and Kirsten Marples\, Curatorial Associate at the Menil Drawing Institute. After the exhibition closes at the Whitney\, it will travel to the Menil Drawing Institute in Houston.   \nAdvance tickets are recommended for best availability. Members may use their membership cards for anytime admission. Corporate partners and other Museum affiliates are encouraged to book complimentary tickets in advance. Learn more about how to plan your visit safely.  \n$25\nAdults \n$18\nSeniors\, Students\, and Visitors with Disabilities\n(Visitor with Disability ticket includes free admission for one care partner.) \nFree\n18 and under\nHours: \nMon	10:30 am–6 pm\nTues	Closed\nWed	10:30 am–6 pm\nThurs	10:30 am–6 pm\nFri	10:30 am–10 pm*\nSat	10:30 am–6 pm\nSun	10:30 am–6 pm\n* Museum admission is Pay-What-You-Wish on Fridays\, 7–10 pm. Advance ticketing required.  \nBook Tickets >
URL:https://ruthasawa.com/exhibition/ruth-asawa-through-line/
LOCATION:Whitney Museum of American Art\, 99 Gansevoort Street\, New York\, NY\, 10014\, United States
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BEGIN:VEVENT
DTSTART;TZID=UTC:20230917T110000
DTEND;TZID=UTC:20240121T180000
DTSTAMP:20260417T022555
CREATED:20230918T205515Z
LAST-MODIFIED:20230918T210043Z
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SUMMARY:Woven Histories: Textiles and Modern Abstraction
DESCRIPTION:Woven Histories: Textiles and Modern Abstraction foregrounds a robust if over-looked strand in art history’s modernist narratives by tracing how\, when\, and why abstract art intersected with woven textiles (and such pre-loom technologies as basketry\, knotting\, and netting) over the past century. Although at times unevenly weighted\, the diverse exchanges\, alignments\, affiliations\, and affinities that have brought these art forms into dialogue constitute an ongoing if intermittent narrative in which one art repeatedly impacts and even redefines the other. In short\, the relationship between abstract art and woven textiles can best be described as co-constitutive\, and their histories as interdependent. With over 150 works by an international and transhistorical roster of artists\, this exhibition reveals how shifting relations among abstract art\, fashion\, design\, and craft shaped recurrent aesthetic\, cultural\, and socio-political forces\, as they\, in turn\, were impacted by modernist art forms. \nWalk-up tickets are available\, but timeslots do sell out and may not be available. Advance timed-entry tickets are highly recommended.\nClick for pricing details and to reserve timed-entry tickets >\nor Call the LACMA Ticket Office at 323 857-6010\, 10 am–5 pm\, Monday through Friday.  \nThis exhibition is organized by the National Gallery of Art\, Washington\, in collaboration with the Los Angeles County Museum of Art\, the National Gallery of Canada\, Ottawa\, and The Museum of Modern Art\, New York. \nGenerous support provided by The Claire Falkenstein Foundation and The Kenneth T. and Eileen L. Norris Foundation. \nAll exhibitions at LACMA are underwritten by the LACMA Exhibition Fund. Major annual support\nis provided by Meredith and David Kaplan\, with generous annual funding from Louise and Brad\nEdgerton\, Edgerton Foundation\, Emily and Teddy Greenspan\, Mary and Daniel James\, Justin\nLubliner\, Jennifer and Mark McCormick\, Kelsey Lee Offield\, Koni and Geoff Rich\, Lenore and\nRichard Wayne\, and Marietta Wu and Thomas Yamamoto. \nPhotos: Ed Rossbach\, Damask Waterfall\, 1977\, cotton welting cord\, commercial fabric\, plastic\, satin damask\, wrapped\, LongHouse Reserve\, photo credit: © Charles Benton\, courtesy The Artists’ Institute \nAndrea Zittel\, ‘White Felted Dress #3’ from A-Z Fiber Form Uniforms\, 2002\, wool\, hand-felted\, Los Angeles County Museum of Art\, purchased with funds provided by David and Susan Gersh. © Andrea Zittel\, photo © Museum Associates/LACMA
URL:https://ruthasawa.com/exhibition/woven-histories-textiles-and-modern-abstraction/
LOCATION:LACMA\, 5905 Wilshire Blvd.\, Los Angeles\, CA 90036\, CA\, 90036\, United States
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